Looking forward to a couple good gigs at the Troubador this week.
Thursday night it's Sondre Lerche whoring his brand-new
Heartbeat Radio, which finds the Norwegian singer-songwriter again reinventing himself, just as he did with each of the previous four full-lengths (not including his most recent "release," the
soundtrack to that old 2007 blockbuster,
Dan In Real Life, which simply embedded existing Lerche tracks alongside a few fresh helpings of film-score acoustic work).
Musically,
Radio falls somewhere between 2007's frenetic
Phantom Punch (his last actual release) and the melodic and hooky
Two Way Monologue, his 2004 breakout record. Gone are the punked-out guitars of
Punch, making room for more of the orchestral flavors that defined his earlier work...not to mention the jazz chops flexed on
Duper Sessions. But throwbacks aside, Lerche continues to evolve as a composer. The arrangements are still characteristically intelligent and unpredictable, as the Norseman continues to make heady songwriting sound effortlessly poppy.
It's a solo acoustic leg of the
tour. Interested to hear some of these new multi-layered tunes in stripped-down form.
--
Then on Friday we do a complete 180 with Alaskan psychedelic indie prog-rockers Portugal. The Man. I've
discussed them here before, but Christ, how do you define these guys? Here's allmusic's stab at it, which still sort of shies away from trying to nail down their sound. It's tough...especially when they sound like a completely different band with each release. Come to think of it, I guess they do share something with Sondre Lerche. You decide. Here's a track from each of their four, in reverse chronological order:
Waiter: "You Vultures!"
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